I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom. "Buy a car," it says, "and be free. Buy a boat and be free." Is this not the raw material of bad dreams? Or is it maybe the very nightmare itself?
Wendell BerryWe are now, measurably, reducing the availability of these life-supporting goods which we can think of (though only on the conditions of good health and good care) as self-renewing or "sustainable." We are also destroying rapidly the supplies of the fossil fuels, which are limited and not renewable, and on which we have become totally dependent.
Wendell BerryOur most serious problem, perhaps, is that we have become a nation of fantasists. We believe, apparently, in the infinite availability of finite resources.
Wendell BerryAs I understand it, I am being paid only for my work in arranging the words; my property is that arrangement. The thoughts in this book, on the contrary, are not mine. They came freely to me, and I give them freely away. I have no "intellectual property," and I think that all claimants to such property are theives.
Wendell BerryThe shoddy work of despair, the pointless work of pride, equally betray Creation. They are wastes of life.
Wendell BerryTo have good farming or good land use of any kind, you have got to have limits. Capitalism doesn't acknowledge limits.
Wendell BerryWe clasp the hands of those who go before us, and the hands of those who come after us; we enter the little circle of each other's arms, and the larger circle of lovers whose hands are joined in a dance, and the larger circle of all creatures, passing in and out of life, who move also in a dance, to a music so subtle and vast that no ear hears it except in fragments.
Wendell Berry