Four months of preparation and about 12 hours of shooting turned into about 30 seconds of screen time.

One of the traps of auditioning is walking into that room feeling as though you're a guest in someone's house, and being really careful not to spill wine on the carpet. What you have to do is walk in there as though you're the host.

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.

I broke my nose in gym when a ball hit me. I took a girl to her debutante ball the next week wearing a tux and a big, honking bandage. Not the romantic night she had in mind.

There was no script, but I said, 'I'm in, regardless' and was committed to Legends before I saw a single page.It was a lovely surprise to find so much meat on the bone.

I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.

The backstory to anyone of mixed race is a lifetime spent being incorrectly perceived and choosing either to allow that misperception to continue or to correct it, so I am aware of identity and race as being much more fluid, I think, than someone who is "purely" one thing or the other. And acting does challenge me to address those particular issues.