Whenever we proceed from the known to the unkown we may hope to understand, but we may have to learn at the same time a new meaning of the word 'understanding'

Even for the physicist the description in plain language will be a criterion of the degree of understanding that has been reached.

Modern physics has changed nothing in the great classical disciplines of, for instance, mechanics, optics, and heat. Only the conception of hitherto unexplored regions, formed prematurely from a knowledge of only certain parts of the world, has undergone a decisive transformation. This conception, however, is always decisive for the future course of research.

The ontology of materialism rested upon the illusion that the kind of existence, the direct "actuality" of the world around us, can be extrapolated into the atomic range. This extrapolation is impossible, however.

If nature leads us to mathematical forms of great simplicity and beauty - by forms I am referring to coherent systems of hypothesis, axioms, etc. - to forms that no one has previously encountered, we cannot help thinking that they are "true," that they reveal a genuine feature of nature... You must have felt this too: The almost frightening simplicity and wholeness of relationships which nature suddenly spreads out before us and for which none of us was in the least prepared.

Every tool carries with it the spirit by which it has been created.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.