What we observe is not nature itself but nature exposed to our method of questioning. Our scientific work in physics consists in asking questions about nature in the language that we possess and trying to get an answer from experiment by the means that are at our disposal.

Even for the physicist the description in plain language will be a criterion of the degree of understanding that has been reached.

Science no longer is in the position of observer of nature, but rather recognizes itself as part of the interplay between man and nature. The scientific method ... changes and transforms its object: the procedure can no longer keep its distance from the object.

The one who insists on never uttering an error must remain silent.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.

If nature leads us to mathematical forms of great simplicity and beauty - by forms I am referring to coherent systems of hypothesis, axioms, etc. - to forms that no one has previously encountered, we cannot help thinking that they are "true," that they reveal a genuine feature of nature... You must have felt this too: The almost frightening simplicity and wholeness of relationships which nature suddenly spreads out before us and for which none of us was in the least prepared.

An expert is someone who knows some of the worst mistakes that can be made in his subject and how to avoid them.