The problems of language here are really serious. We wish to speak in some way about the structure of the atoms. But we cannot speak about atoms in ordinary language.

You may object that by speaking of simplicity and beauty I am introducing aesthetic criteria of truth, and I frankly admit that I am strongly attracted by the simplicity and beauty of mathematical schemes which nature presents us. You must have felt this too: the almost frightening simplicity and wholeness of the relationship, which nature suddenly spreads out before us.

Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.

...separation of the observer from the phenomenon to be observed is no longer possible.

The exact sciences also start from the assumption that in the end it will always be possible to understand nature, even in every new field of experience, but that we may make no a priori assumptions about the meaning of the word understand.

It seems sensible to discard all hope of observing hitherto unobservable quantities, such as the position and period of the electron... Instead it seems more reasonable to try to establish a theoretical quantum mechanics, analogous to classical mechanics, but in which only relations between observable quantities occur.

The incomplete knowledge of a system must be an essential part of every formulation in quantum theory. Quantum theoretical laws must be of a statistical kind. To give an example: we know that the radium atom emits alpha-radiation. Quantum theory can give us an indication of the probability that the alpha-particle will leave the nucleus in unit time, but it cannot predict at what precise point in time the emission will occur, for this is uncertain in principle.