I am too much into what I'm doing in my work.

I think psychology and self-reflection is one of the major catastrophes of the twentieth century.

There is a fascination about crime, which is understandable, but hardly anyone talks about the families of victims of violent crime and the devastation that is beyond the victim alone.

My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.

Public life is constantly aware of the volcano.

Similar thing until today, with digital cameras you look after something like that as robust as they can be.

It's very strange, for example, in North Korea where the volcano at the Chinese border is some sort of the mythical birthplace of the Korean people.