Spirit of immersion and curiosity and awe and participation is something which Timothy Treadwell and I have in common.

I love nature but against my better judgment.

It has always been my aim to find that sort of passion and figure out how to transform it into cinema.Timothy Treadwell's footage was almost like a diary, and he had always dreamt of becoming the movie star in his own gigantic production.

If you go to Florence, it has all surface beauty, but like Venice, it's simply a museum of Renaissance times. Los Angeles is raw, uncouth and bizarre, but it's a place of substance. It has more new horizons than any other place.

It doesn't matter whether you shoot on celluloid or on digital, you better make a good film.

Ten years ago in Antarctica shooting "Encounters at the End of the World," I met a very fine volcanologist from Cambridge University [Clive Oppenheimer] and we kept talking about doing a film and all of a sudden it became serious when he hinted at the possibility to film in North Korea.

Fragility of modern world leaves me with the idea we'd better anticipate what's going on. We take our right steps today and now. And we'd better avoid, that we are overdependent on, let's say, the internet.