Fragility of modern world leaves me with the idea we'd better anticipate what's going on. We take our right steps today and now. And we'd better avoid, that we are overdependent on, let's say, the internet.

When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.

If you’re purely after facts, please buy yourself the phone directory of Manhattan. It has four million times correct facts. But it doesn’t illuminate.

All of a sudden it's twelve-year-olds who are contacting me, fifteen-year-olds, and they have very, very fascinating questions. However, they speak in a language of their age group which I have to learn first.

There's a completely new culture out there. I'm not a participant of texting and driving - or texting at all - but I see there's something going on in civilization which is coming with great vehemence at us.

I try to be after something that is deeply reverberating inside of our souls, some deep echo from - even from prehistory. What makes us humans? How do we communicate? Where are we going at this moment? Something for an audience where they can step outside of themselves, where they can be almost like in ecstasy of truth, some sort of deep illumination. And that's what I'm trying in documentaries and in feature films.

If you want to propose marriage to your girlfriend and you live in England and she is in Sicily, do the decent thing and walk down there. Travelling by car or aeroplane wouldn't be right at such a moment.