I'm a very professional man. I'm not out for the experience of adventure.

Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not relying on your creative instincts and you're not relying on something which brings life into movies and excitement into it.

When we speak about trespassing, we speak about artistic trespassing. You have to be prudent and have common sense and a sense of responsibility when you're trespassing. I think you haven't seen a film on volcanoes like that before. It's not National Geographic. It is wildly imaginative and very poetic and has a sense of awe that you normally do not see in films.

The daredevil aspect to what I did there is moving a monstrously big ship over a mountain in the jungle of Peru with 800 or 900 or so native people from the area. So that idea was wild but the way it was executed was prudent. Nobody was ever hurt and when it became clear that we had to be more secure with the posts that would hold the ship, I spent 12 days having a post built that would have withstood the force of 10 times the weight of my ship.

I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.

After "Jack Reacher" the parts I didn't like, most of it was silly.

"Jack Reacher" was easy because the function of the villain was just to spread fear and horror.