I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature.

It's all movies for me. And besides, when you say documentaries, in my case, in most of these cases, means "feature film" in disguise.

But the question that everyone wanted answered was whether I would have the nerve and the strength to start the whole process from scratch. I said yes; otherwise I would be someone who had no dream left, and without dreams I would not want to live.

May I propose a Herzog dictum? Those who read own the world, and those who watch television lose it.

I have been in lots of very intense life situations. I have been shot at, and I have been hungry, and I have been in solitude, and I have also briefly been behind bars. So in a way, I know the heart of men.

It's very enigmatic because of course, the population [of North Korea] has no contact with the world outside or it's very, very limited. They don't have any telephone connections, no radio, no TV, no movies, no newspapers - nothing from the outside world. This is very strange and there's the very strict, unifying government that forces you to be in step. You see it in the stadium where the spectators create, by flipping cards, an image of the dear leader, or of the volcano, and it's made of a 100,000 human pictures.

Ten years ago in Antarctica shooting "Encounters at the End of the World," I met a very fine volcanologist from Cambridge University [Clive Oppenheimer] and we kept talking about doing a film and all of a sudden it became serious when he hinted at the possibility to film in North Korea.