North Korea is not an exception. Even there, where you think it would be completely sober, they have the myth of their revolution being connected to the volcano.

Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.

I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.

I looked, for example, to certain types of literature to which I would like to refer, like The Peregrine by J. A. Baker, and I mention a book, "read this, read it, read it if you are serious of being in any type of art or into filmmaking," or films that I should quote as examples.

In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.

For a film I shot on the most difficult mountain on God's wide earth in Patagonia for a sequence where there was high probability some digital effects were needed, somebody made storyboards and I quickly ignored them, after half an hour I ignored them and I never used any digital effect.

I always loved celluloid cameras in the early days that were sturdy and reliable. Even under tropical conditions and downpour of rain, it would still work.