The internet doesn't have any qualities, technical qualities. It's just fast, reaching out everywhere and so, it can process that and that volume of data flows and so, but it doesn't have any qualities like "good" or "bad" or "ethical" or "non-ethical". It's humans, it's us, not the internet.

When you look at any of my films you will immediately be able to tell this is a [Werner] Herzog film. Even if you didn't have any credits, in two minutes flat you would know.

The volcano itself wasn't that interesting, but the man who refused to be evacuated - the only one of 75,000 people - was what set the tone for the film ["Encounters at the End of the World"] that we made together [with Clive Oppenheimer] ten years later.

There's happens to be a volcano in the vicinity and there's some talk about a volcano as well, so that's the title Salt and Fire

By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.

I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.

You are in a place that has not been seen for tens of thousands of years, because it was so sealed off. There is such silence that when you hold your breath you can hear your own heartbeat. Everything is so fresh that you have the sensation that the painters have merely retreated deeper into the dark and that they are looking at you.