Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe "Cosmopolitans" has a bit of an Evelyn Waugh vibe to it at some point.

It's terrible to write what are essentially comedies for people with no sense of humor. Everyone thinks they have a sense of humor, but observably not.

Sometimes you don't realize how dependent you are on just a few people, and if they disappear, suddenly you can be thrown on your own resources, which may be limited, and you're really in a fix. So I think that's authentic to the experience that it might be very lonely.

So something I've felt I've learned with The Cosmopolitans shoot is using some agility and changing things quickly. That's something I found really useful on this shoot too. The gestation of The Cosmopolitans and this are slightly different from my other films. The script would be done and I'd be cutting it, but I wasn't always writing new material.

I think a lot of ["Cosmopolitans"] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with "Uncle Wiggly in Connecticut," and I think that's great for us because then we have to do our own Salinger stories.

We learned some bad things, and the Vietnam War led to some bad conclusions. We're not the greatest generation, that's for sure.

I decided the moment I graduated from college that I would never wear blue jeans again. And I have never worn blue jeans again.