I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.

To me, the big difference is when you yell cut and then you have to walk over there and deliver a note, it gives it much more import as opposed to "Hey, try that." It's just much more intimate, I think.

I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.

I try not to read the Internet because it's mostly just a sea of hatred.

I don't think anyone says "Wow, the best sex I ever had was when I was 16 years old."

When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.

In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.