To me, the big difference is when you yell cut and then you have to walk over there and deliver a note, it gives it much more import as opposed to "Hey, try that." It's just much more intimate, I think.

When you people have a set up joke and the joke is set up straight and the words are just well written, I always say "C'mon, humans don't speak that way."

When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.

In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.

You go through your career and you find people and cast who you love and you go through and keep them and you never want to let them go because you have a great repertory with them.

I like to deconstruct things, deconstruct genres and stories.

To me, the big difference is when you yell cut and then you have to walk over there and deliver a note, it gives it much more import as opposed to "Hey, try that." It's just much more intimate, I think.