Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.

As a kid you learn that there are thinkers and there are philosophers and there are theologian, and I'd hear little bits of the ideas that these people pursued or developed or created and I'd be really excited. Then I'll start to read it and I think, "Wait a minute, this is a rabbit hole. This isn't a gateway or a ticket to anything except itself."

It's good when someone says, "Would you write a song for this purpose," or "would you record a song for this purpose," or "would you help me realize this song," again, for this purpose.

On days where I feel the karma is in balance I'm not afraid of death. And when I feel it's weighing heavily on the negative side, then I get very scared and just think about eternal damnation and how unpleasant that would be.

It's O.K. to accept good fortune.

The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.

One thing that the Internet has created is the sense that information is at your fingertips, when it's really only a very, very limited, specific, and slanted kind of information.