Frank Sinatra's never been handsome, but he's one of my favorite singers. Who needs looks when you have a voice and power?

I am thrilled at most corners that I turn walking down the street, I'm thrilled by most pages I turn when I'm reading a book thinking of what it's going to show and what it's going to make possible for tomorrow.

As far as implying that we know what we're doing, that we have perspective enough - by diving fully into something it requires a lot of denial, and denial is always dangerous even if all of your intentions are good and all your preparations are good. When you make a choice you're denying an infinite number of other choices.

I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.

Sometimes it will be for more money than I've ever been offered before. I mean, am I an idiot again for not doing that?

A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.

The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.