If we were making a record in Kentucky, there might be some more elements that recall a time, a place, or a relationship. Recording for the BBC you enter into this strange and wonderful, but kind of sterile, place with which you have no personal history, and that's the Maida Vale Studios at BBC in London.
Will OldhamI figure it's okay to make certain rules, whether or not people despise you for it at the time.
Will OldhamI am thrilled at most corners that I turn walking down the street, I'm thrilled by most pages I turn when I'm reading a book thinking of what it's going to show and what it's going to make possible for tomorrow.
Will OldhamThere are a limited number of promoters out there who care about creating music. You rarely meet a promoter who's like, "I want to be responsible for the best shows, I want to make sure that these are the best shows these audiences have ever seen."
Will OldhamYou're making something that won't be what it is until some unknown date in the future. All aspects of the personal disappear.
Will OldhamI feel like, for me, reading Thomas Merton is like โWait a minute, this is a rabbit hole. This isnโt a gateway or a ticket to anything except itselfโ. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
Will OldhamI don't know the reasons why something is intimidating to me or disgusting to me and I don't like feeling that way, either. I don't like it when something turns me off, on any level. So, its a matter of saying: Well, I can either sit here and reject, or I can do double-time embracing of something else just to reassure myself that I'm not against the world.
Will Oldham