Every recording session and tour is a very valuable time to me in terms of getting to spend time with the musicians - whether they're friends and family or people I've just met - because I don't have a job where I get to interact with people everyday.

I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.

We always keep things very, very simple. We can make a respectable living playing a smaller room that somebody else couldn't, because they're spending a lot of money. If we can't get a show up and deliver with what we almost intrinsically have in our brains and our pockets, then I don't really want to do it.

It's nice to be able to backtrack and not be embarrassed by the music you used to listen to.

I'd like my records to reach as many people as possible, but I'm also thinking in terms of how I can keep from getting jaded or unhappy with the process.

I have more respect for somebody who points at his ideal - in this case, the ideal of the pirate - and then becomes something that's more radical, more exciting, more subversive than a pirate could ever be.

Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.