As a reader, you’re often inside one or more character heads, so you know what they’re feeling, even if they can’t exactly say it, or they say it so obliquely that the other characters don’t catch it. Readers are frequently reminded of the gulf between what people say and what they mean, and such moments prod us to become more attuned to gesture, tone, and language.

If our family was an airline, Mom was the hub and we were the spokes. You rarely went anywhere nonstop; you went via Mom, who directed the traffic flow and determined the priorities: which family member was cleared for takeoff or landing. Even my father was not immune to Mom's scheduling, though he was given more leeway than the rest of us.

With FIVE DAYS, Douglas Kennedy has crafted a brilliant meditation on regret, fidelity, family, and second chances that will have you breathlessly turning pages to find out what happened in the past and what will happen next. At once heartbreaking and hopeful, it is a powerful new work of fiction by an internationally acclaimed writer at the height of his powers.

Evil almost always starts with small cruelties.

As a reader, you’re often inside one or more character heads, so you know what they’re feeling, even if they can’t exactly say it, or they say it so obliquely that the other characters don’t catch it. Readers are frequently reminded of the gulf between what people say and what they mean, and such moments prod us to become more attuned to gesture, tone, and language.

In Gilead, the narrator's friend's son describes himself not as an atheist but in "state of categorical unbelief." He says, "I don't even believe God doesn't exist, if you see what I mean." I pointed this passage out to Mom and said it closely matched my own views-I just didn't think about religion.

We’re all in the end-of-our-life book club, whether we acknowledge it or not; each book we read may well be the last, each conversation the final one.