I'm not pro-life. I'm very emphatically pro-choice.

I wanted to be a filmmaker, actually, when I was in high school and college. But I just decided it would be more expensive to do, so I sort of decided music would be more fun.

A good writer can simulate a page torn out of somebody's diary, and give you every little voyeuristic thrill you might get from that, but actually tell you a broader story. I think it's a noble idea that it's cathartic to open a vein for everybody to see, but ultimately, you're just getting blood everywhere and making a mess. I like the idea that there are deeper and more meaningful things to talk about than your own misery. But at the same time, there's something really interesting about skirting that line and making it seem like you're doing that.

People think that because they've seen your name in print, you're rich. I assume that. But all it means is that there was some intrepid interviewer who bothered to give you a call.

Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.

There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.

If you're going for things that are really terrible ideas you have to really have all your faculties about you to get away with them without being crucified. The best rock music gets away with something, somehow, that it shouldn't be allowed to get away with.