People think that because they've seen your name in print, you're rich. I assume that. But all it means is that there was some intrepid interviewer who bothered to give you a call.

Culture dictated from above is the enemy of folk music. Whether it's stuffy classical music or pre-engineered pop where somebody's paid tons of money to make sure that everyone hears this song a certain number of times a day - that feels like the opposite of folk music.

You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.

What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.

I have complicated feelings about nostalgia. I think that sometimes it can be dangerous. It can airbrush the truth, or fictionalize the truth, which leads to the worst kind of sentimentality. But I'm also a sentimental person who feels quite a bit of nostalgia.

When your head is smashing into the concrete you don't have question about whether it's a real sensation. And ultimately, that's what's going to unmake us all - smashing up against the physical reality of death and decay, and being unmade.

I was always one of these people who is irrationally moved by stupid pop songs.