If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.

I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling.

Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.

If you were a performer that only had an acoustic instrument, back in the day you couldn't hide behind your guitar pedals or the production or the vibe. There was performance and then there was the song, and that was all that you had.

If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.

I think that anything is a form of folk music. That's just me being glib, but the thing I like the best about humans, and there are not many other things besides this, is that humans make culture. If you're an artist, a big part of folk is noticing what other people are doing and incorporating it and changing it - the way that songs warp and change over time.

Culture dictated from above is the enemy of folk music. Whether it's stuffy classical music or pre-engineered pop where somebody's paid tons of money to make sure that everyone hears this song a certain number of times a day - that feels like the opposite of folk music.