You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.

I was always one of these people who is irrationally moved by stupid pop songs.

You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.

What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.

A good writer can simulate a page torn out of somebody's diary, and give you every little voyeuristic thrill you might get from that, but actually tell you a broader story. I think it's a noble idea that it's cathartic to open a vein for everybody to see, but ultimately, you're just getting blood everywhere and making a mess. I like the idea that there are deeper and more meaningful things to talk about than your own misery. But at the same time, there's something really interesting about skirting that line and making it seem like you're doing that.

I have complicated feelings about nostalgia. I think that sometimes it can be dangerous. It can airbrush the truth, or fictionalize the truth, which leads to the worst kind of sentimentality. But I'm also a sentimental person who feels quite a bit of nostalgia.

There's something really special about childhood. When you're a kid, you're at your most creative, and you're very plugged into your imagination and emotions. But when you get older, you're encouraged to dance around your feelings and disengage, and I think it's crucial to fight that.