I prefer shooting on location, just because it always helps you. You go some place, you put your life on hold even more than when you've settled in some place. You can make a new life so it opens yourself up to the make-believe and the imagination in a way when you aren't burdened by things that remind you of your life all the time.

I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them.

It's nice to go back with people that you already trust.

It's too easy to trivialize people. The Internet does it all the time.

I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.

That's a frustration sometimes, that certain directors that I'd like to work with, they just aren't doing stories that I'm sort of castable in. Not always, but sometimes I have that frustration.

The director's very important to me, particularly when the director has a recognizable style.