This is the merit and distinction of art: to be more real than reality, to be not nature but nature's essence.

The nightingale has a lyre of gold, The lark's is a clarion call, And the blackbird plays but a boxwood flute, But I love him best of all. For his song is all the joy of life, And we in the mad spring weather, We two have listened till he sang Our hearts and lips together.

Behold me waiting—waiting for the knife.... The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life.... [F]ace to face with chance, I shrink a little: My hopes are strong, my will is something weak. ...I am ready But, gentlemen my porters, life is brittle: You carry Cæsar and his fortunes—steady!

The life of Dumas is not only a monument of endeavour and success, it is a sort of labyrinth as well. It abounds in pseudonyms and disguises, in sudden and unexpected appearances and retreats as unexpected and sudden, in scandals and in rumours, in mysteries and traps and ambuscades of every kind.

Under the bludgeonings of chance My head is bloody, but unbowed.

Men there have been who have done the essayist's part so well as to have earned an immortality in the doing; but we have had not many of them, and they make but a poor figure on our shelves. It is a pity that things should be thus with us, for a good essayist is the pleasantest companion imaginable.

Shakespeare and Rembrandt have in common the faculty of quickening speculation and compelling the minds of men to combat and discussion.