Behold me waiting—waiting for the knife.... The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life.... [F]ace to face with chance, I shrink a little: My hopes are strong, my will is something weak. ...I am ready But, gentlemen my porters, life is brittle: You carry Cæsar and his fortunes—steady!

Now, to read poetry at all is to have an ideal anthology of one's own, and in that possession to be incapable of content with the anthologies of all the world besides.

It is the artist's function not to copy but to synthesise: to eliminate from that gross confusion of actuality which is his raw material whatever is accidental, idle, irrelevant, and select for perpetuation that only which is appropriate and immortal.

The nightingale has a lyre of gold, The lark's is a clarion call, And the blackbird plays but a boxwood flute, But I love him best of all. For his song is all the joy of life, And we in the mad spring weather, We two have listened till he sang Our hearts and lips together.

This is the merit and distinction of art: to be more real than reality, to be not nature but nature's essence.

There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.

It matters not how strait the gate, How charged with punishments the scroll; I am the master of my fate: I am the captain of my soul.