William Faulkner Quotes

The reason you will not say it is, when you say it, even to yourself, you will know it is true.

The poets are almost always wrong about the facts... That's because they are not really interested in facts: only in truth...

You're looking, sir, at a very dull survivor of a very gaudy life. Crippled, paralyzed in both legs. Very little I can eat, and my sleep is so near waking that it's hardly worth the name. I seem to exist largely on heat, like a newborn spider.

A writer is trying to create believable people in credible moving situations in the most moving way he can.

You must always know the past, for there is no real Was, there is only Is.

Well, Bud," he said, looking at me, "I'll be damned if you don't go to a lot of trouble to have your fun. Kidnapping, then fighting. What do you do on your holidays? Burn houses?

You can't beat women anyhow and that if you are wise or dislike trouble and uproar you don't even try to.

Success is feminine and like a woman, if you cringe before her, she will override you

All of us failed to match our dreams of perfection. So I rate us on the base of our splendid failure to do the impossible.

We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall.

Love doesn't die; the men and women do.

Really the writer doesn't want success. . . . He knows he has a short span of life, that the day will come when he must pass through the wall of oblivion, and he wants to leave a scratch on that wall - Kilroy was here - that somebody a hundred, or a thousand years later will see.

. . .in August in Mississippi there’s a few days somewhere about the middle of the month when suddenly there’s a foretaste of fall, it’s cool, there’s a lambence, a soft, a luminous quality to the light, as though it came not from just today but from back in the old classic times. It might have fauns and satyrs and the gods and---from Greece, from Olympus in it somewhere. It lasts just for a day or two, then it’s gone. . .the title reminded me of that time, of a luminosity older than our Christian civilization.

It always takes a man that never made much at any thing to tell you how to run your business, though. Like these college professors without a whole pair of socks to his name, telling you how to make a million in ten years, and a woman that couldn't even get a husband can always tell you how to raise a family.

The writer's only responsibility is to his art...If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.

If I had not existed, someone else would have written me, Hemingway, Dostoyevsky, all of us.

It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread an not the interval between.

I decline to accept the end of man.

Truth; that long clean clear simple undeniable unchallengeable straight and shining line, on one side of which black is black and on the other white is white, has now become an angle, a point of view.

I had learned a little about writing from Soldier's Pay - how to approach language, words: not with seriousness so much as an essayist does, but with a kind of alert respect, as you approach dynamite; even with joy, as you approach women: perhaps with the same secretly unscrupulous intentions.

The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

To me, all human behavior is unpredictable and, considering man's frailty... and... the ramshackle universe he functions in, it's... all irrational.

The scattered tea goes with the leaves and every day a sunset dies.

Where the shadow of the bridge fell I could see down for a long way, but not as far as the bottom. When you leave a leaf in water a long time after awhile the tissue will be gone and the delicate fibres waving slow as the motion of sleep. They don't touch one another, no matter how knotted up they once were, no matter how close they lay once to the bones.

The poets are wrong of course […] But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.

I dont hate it he thought, panting in the cold air, the iron New England dark; I dont. I dont! I dont hate it! I dont hate it!

All of us failed to match our dreams of perfection.

And we'd sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless october, the rank smell of the lantern fouling the brittle air, listening to the dog and the echo of louis' voice dying away

Because there is something in the touch of flesh with flesh which abrogates, cuts sharp and straight across the devious intricate channels of decorous ordering, which enemies as well as lovers know because it makes them both:---touch and touch of that which is the citadel of the central I-Am's private own: not spirit, soul; the liquorish and ungirdled mind is anyone's to take in any any darkened hallway of this earthly tenement. But let flesh touch with flesh, and watch the fall of all the eggshell shibboleth of caste and color too.

You can't. You just have to.

They say love dies between two people. That’s wrong. It doesn’t die. It just leaves you, goes away, if you aren’t good enough, worthy enough. It doesn’t die; you’re the the one that dies. It’s like the ocean: if you’re no good, if you begin to make a bad smell in it, it just spews you up somewhere to die. You die anyway, but I had rather drown in the ocean than be urped up onto a strip of dead beach and be dried away by the sun into a little foul smear with no name to it, just this was for an epitaph

The writer in America isn't part of the culture of this country. He's like a fine dog. People like him around, but he's of no use.

Given the choice between the experience of pain and nothing, I would choose pain.

When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in Cedar trees smells.

You don’t love because: you love despite; not for the virtues, but despite the faults.

They all talked at once, their voices insistent and contradictory and impatient, making of unreality a possibility, then a probability, then an incontrovertible fact, as people will when their desires become words.

Let the writer take up surgery or bricklaying if he is interested in technique.

And even a liar can be scared into telling the truth, same as honest man can be tortured into telling a lie.

Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.

People to whom sin is just a matter of words, to them salvation is just words too.

This is a free country. Folks have a right to send me letters, and I have a right not to read them.

Sometimes I aint so sho who's got ere a right to say when a man is crazy and when he aint. Sometimes I think it aint none of us pure crazy and aint none of us pure sane until the balance of us talks him that-a-way. It's like it aint so much what a fellow does, but it's the way the majority of folks is looking at him when he does it.

That was when I learned that words are no good; that words dont ever fit even what they are trying to say at. When he was born I knew that motherhood was invented by someone who had to have a word for it because the ones that had the children didn't care whether there was a word for it or not. I knew that fear was invented by someone that had never had the fear; pride, who never had the pride.

Be scared. You can't help that. But don't be afraid. Ain't nothing in the woods going to hurt you unless you corner it, or it smells that you are afraid. A bear or a deer, too, has got to be scared of a coward the same as a brave man has got to be.

I knew that nobody but a luckless man could ever need a doctor in the face of a cyclone.

Perhaps they were right putting love into books. Perhaps it could not live anywhere else.

By artist I mean of course everyone who has tried to create something which was not here before him, with no other tools and material than the uncommer-ciable ones of the human spirit.