William Friedkin Quotes

I can't sit through the superhero films. But I watched Draft Day, and it was kind of sweet in an old-fashioned way.

I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.

Directing is a nice job. It's the best job for me. If I had to pay money to do it, I would do it... Directing is playing. Acting.

I don't look back or analyze my films. I just make them. It's for someone else to look at.

I had absolutely no focus as a kid. I never paid attention at school, I never went to college. Not because we were too poor; we were. But if I wanted to go to college, I would have found a way.

The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.

When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.

I'm not a fan of 3D. But I am a huge fan of digital imagery. Because it allows a filmmaker much more latitude to appreciate their own visions and dreams.

The art of movies is to allow the audience to suspend their disbelief. They need to use their imaginations.

I don't go to the movies much anymore. There's very little that draws me. I watch mostly the older stuff, and I often don't sit through the new films.

There is a thin line between the policeman and the criminal. The best cops are always crossed. The best cops are the ones who are able to think like criminals. But for a quirk of fate, they might have been criminals.

I don't believe that Citizen Kane or Gone With the Wind, or any damn picture that you can name, would be better off in 3D. I think it's a gimmick. I find 3D distracting.

If Star Wars had failed, you wouldn't have 90 percent of what's out there today.

We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.

God knows, as a minority, gay people have taken serious lumps for their sexual preferences. As has every minority.

All the great countries are at odds with one another over something, and yet if they don't cooperate they're going to blow up.

I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely.

To me, the art of cinema is the same as the art of painting. The artist takes a 2D medium and gives you the illusion of depth. If you look at any of the great paintings, you have the illusion of depth. Which is part of the art. The same with the great movies.

With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.

If you're a movie star, the studios don't want you to act. They just want you to show up and look good and chase girls and have a lot of laughs.

I believe it's true that there's good and evil in everyone and it's a constant struggle to have your better angels prevail.

When you make a Blu-ray, its not the same as the print process was. You have little or no control over any print that was ever made. You are a victim of the 35mm printing process.

Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic.

I've seen my own films close to a thousand times in one form or another. When you edit them. When you shoot them. Then you run them over and over again for sound and music. Then you'd go to premiere screenings, and have to do promotional screenings in other cities. I can't watch any of my old films.

I believe today that there is no film and no shot in a film that is worth a squirrel getting a sprained ankle.

None of the chase scenes that I did had any opticals. We had to do all of that physically. The first thing you have to do is see it in your mind's eye. You have to envision it. Imagine someone knitting a sweater or a scarf. They either have a pattern in front of them, or they see a pattern in their mind's eye. Then it's one stitch at a time. That's what shooting a chase is like.

There are certain things that happen during the production of, I think, every film, that you didn't plan, and often it's better than what you did plan. There's the question of either going with it or not.

We all wind up the same way, no matter what our goals or ambitions are. We have nothing at all to say about how we got into this world or how are going to leave it.

Style is something that's extremely important, but it must grow naturally out of who and what you are and what the material calls for. It cannot be superimposed.

To me, the art of movies is to take a two-dimensional image and give the illusion of depth.

I really think that sex always looks kind of funny in a movie.

You are always cheating for the audience.

Every time you run a 35mm print, it picks up scratches. It picks up dirt. Sometimes it breaks, and you have to re-splice it. You lose frames. This doesn't happen with digital or Blu-ray. I think that's great. Because I love the new media.

The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.

In the case of a film like The Exorcist or To Live and Die in L.A., I saw the whole movie in my head before I went to shoot it. I never did storyboards, or anything like that. I had the film in my head.

But the audience is right. They're always, always right. You hear directors complain that the advertising was lousy, the distribution is no good, the date was wrong to open the film. I don't believe that. The audience is never wrong. Never.

The only gay people who remain in the closet are those who choose to, who don't want to publicly declare their sexuality, which is true of heterosexual people as well. I don't walk around with a button or a T-shirt that says "I am a heterosexual." I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely. Although God knows, as a minority, gay people have taken serious lumps for their sexual preferences. As has every minority.

The thing that interests me is the good and evil in everybody. I don't have conventional heroes in the films that I directed, because I believe there's good and evil in everybody.

Directing is a nice job. It's the best job for me. If i had to pay money to do it, I would do itIt's problematical. It's disapointing often. It's very challenging. It's frustrating as hell. It's extremely demanding and totally satisfying work. And if I wasn't doing this, I would have to do legitimate work for a living. There are guys out there really working for a living, cleaning streets or coal mining, teaching. Directing is playing. Acting.

You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.

I have seen lampoons of my work. And I have really enjoyed them. But I would never do another version of The Exorcist.

With all of my films that are on DVD and Blu-ray, I have spent weeks with them in a color timing room. Just changing or enhancing them. I have been desaturating the color. Sometimes I will make a scene bluer or redder. I do use the new medium. I believe in it.

Star Wars is one of a handful of films that changed the zeitgeist forever.

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

If you call yourself a non-believer, you're referring to disbelief in something, and you're acknowledging that there is something to believe in or not.

'Star Wars' gave birth to all the computer-generated superhero films.

Violence is not funny.

Edgar Allan Poe is considered the great writer of horror stories, perhaps the greatest - I will say the greatest