There are certain things that happen during the production of, I think, every film, that you didn't plan, and often it's better than what you did plan. There's the question of either going with it or not.

I have control over every single frame on Blu-ray. If I want a scene bluer, I get that scene bluer. Originally, there was some fluctuation with the prints. If you made a thousand, or a few thousand prints, there is no control over any of that. But now I can make a master using the digital process.

When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.

Directing is a nice job. It's the best job for me. If I had to pay money to do it, I would do it... Directing is playing. Acting.

I have to see the whole scene in my head before I go out and do it. Which I do. I will envision the entire scene before I shoot it.

Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic.

I can't sit through the superhero films. But I watched Draft Day, and it was kind of sweet in an old-fashioned way.