I was once really close to sitting down and having a conversation with a shadowy young woman who is reputed have become a millionaire by investing in Beanie Babies. She was someone that a couple people claimed to know, she seemed to exist, but she remained shadowy.

The future's here already. It's just unevenly distributed.

The street finds its own uses for things.

We have no future because our present is too volatile. We have only risk management. The spinning of the given moment's scenarios. Pattern recognition.

A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.

If I meet someone and discover that they're an absolute, very earnest nationalist, it's unlikely that I'm going to get much closer to them. I don't understand them. It doesn't matter where they're from, I just don't get it. I'm a multi-national kind of guy.

I look at [Toronto] and think well, perhaps my grandchildren will someday look at this stuff with the sort of appreciation I once held for Art Deco. Although I've come to find Art Deco quite creepy too.