All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.

That's pretty much what every scene is about, getting people to see your point of view. Sometimes you win, sometimes you lose.

I'm sure I have a process, but it mostly takes place in my dreams.

I do love comedy, but I'm not brave enough to tackle a script whose goal is to make you laugh. That's tough. The ones that can do it, I tip my hat off to them, but I don't have that kind of humor or mind.

I'm getting bigger roles, and I'm on location more, and I have a wife and family. I'd rather work less, and I've started to implement that. It was either that or my wife would break my heart.

With an inexperienced director, a lot of times the days go on to 14, 15, 16 hours. It goes horrendously overtime. And because of the lack of money, they just keep you there, regardless of the hours.

I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.