Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.

Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.

We thought sex was free. Sex is not free. There's a price to be paid emotionally, physically, even legally. Sex isn't a casual thing. It's a huge thing.

I really love hanging out on the set, and I love the life, and all of that. But I don't think I could stick with this profession if it weren't for those 15 minutes a day when I get to act. That's the part I love. For some strange reason, it's the time that I'm the least self-conscious in my whole life.

I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.

Yeah, I made it. It sneaks up on you. You're some schmuck and you wake up one day and you go, Good God, I'm the cheese.

Before I made it big I worked as a dishwasher, washing dishes in this place called Dishwasher House where people could just come in and do whatever they wanted to the dishes and we had to clean them with our hands till they bled. A lot of struggling actors worked there-Downey Jr., Joaquin Phoenix, Damon Wayans, Marlon Wayans, Keenen Ivory Wayans-and we actually all kind of wish we still did.