What I wanted was some dreamlike Frank Lloyd Wright bungalow where we could sit on the veranda forever and it would always be twilight in the temperate zones, in the most beautiful house.

Places come to exist in our imaginations because of stories, and so do we. When we reach for a "sense of place," we posit an intimate relationship to a set of stories connected to a particular location, such as Hong Kong or the Grand Canyon or the bed where we were born, thinking of histories and the evolution of personalities in a local context. Having "a sense of self" means possessing a set of stories about who we are and with whom and why.

Up there on Huckleberry Mountain, I couldn't sleep ... As the sky broke light over the peaks of Glacier, I found myself deeply moved by the view from our elevation - off west the lights of Montana, Hungry Horse, and Columbia Falls, and farmsteads along the northern edge of Flathead Lake, and back in the direction of sunrise the soft and misted valleys of the parklands, not an electric light showing: little enough to preserve for the wanderings of a great and sacred animal who can teach us, if nothing else, by his power and his dilemma, a little common humility.

What I wanted was some dreamlike Frank Lloyd Wright bungalow where we could sit on the veranda forever and it would always be twilight in the temperate zones, in the most beautiful house.

It is a skill we learn early, the art of inventing stories to explain away the fearful scared strangeness of the world. Storytelling and make-believe, like war and agriculture, are among the arts of self-defense, and all of them are ways of enclosing otherness and claiming ownership.

In learning to pay respectful attention to one another and plants and animals, we relearn the acts of empathy, and thus humility and compassion - ways of proceeding that grow more and more necessary as the world crowds in.

I had discovered a terrible vulnerability I myself which I think of not as cowardliness but as an ability to imagine too much.