I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.

One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.

In the summer of 2009, I was at the Shakespeare lab at the public theater in New York.

If the question was did we want to delay the revelation?... Yeah, you want to delay it as long as possible because the audience knows that that moment is coming and you want to make them wait for it. They have to suffer a bit.

It's because you have no power. You give them all the material and the cinematographer, the director, the editor, boy what they can choose... You better hope they like you because they can slice and dice and make you look like a damn fool when your face and body are up there on a 30-foot screen.

I love sci-fi, especially when it thrives on a thought-provoking story, rather than explosions.

I was an English major, so I love discussing possibilities and alternate theories.