I guess every actor has certain emotions they can access easier than others.

Look, we all know how hard it is for us to - I'm going to speak for myself - find a still photo of yourself that you like. Like how many times do people send photos and you're like, "Oh burn it."

I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.

If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.

I can be a bit of a science geek. I tend more towards reading about brain science, neuroscience. I was an English major, so I love discussing possibilities and alternate theories. Aside from the science aspect of it, the philosophical possibilities are so interesting.

I've made a number of independent films that didn't receive theatrical distribution, that a lot of people haven't heard of, and as a result, I've conditioned myself to go into small independent films with the expectation that they will not, and therefore, I have to find my reward elsewhere.

This is a horrid generalization, so I'll probably get hate mail from stockbrokers. I would have been forced to get back to work, and would have been less accustomed to being in touch with my feelings and allowing my feelings to drive my decisions and behavior.