In the summer of 2009, I was at the Shakespeare lab at the public theater in New York.

I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.

I do like taking on responsibility, sometimes too much. But I was aware of that early on and it's something that came up in the previous set of interviews, and that is the actor‛s contribution.

They [teachers] beat it right out of me. Or they beat it into me and educated it out of me. I don't know; that's an interesting question. The Catholic schools required work, so I think that may have been where the work ethic came from, in answer to the question of how my character may have been shaped.

I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.

I'm ready for conventions. You know what's interesting, the sort of questions that Lost raises are of a different sort from this movie. In other words, Lost is about figuring out the world of the show, whereas this one seems to raise questions about the world that we know. But I'm happy to entertain both.

One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.