I've recommended girls for jobs that I had a different part in, and agents have been like, "No, don't ..."It's so surprising to me.

I remember when I was doing Mermaids [1990], I was 16 and they gave me a B12 shot once. My parents weren't there, and when they did come, they freaked out. They were terrified, because of the Judy Garland stories. I know it's just vitamin B, but it did give you a boost.

You're lucky if you're in three great movies, or even one great movie. I've been so lucky. But if you rely on the business to dictate whether you're happy, it gets really complicated. You just can't do that. There have been times in my life that I've done that, and I've found it depressing.

It's also a question of finding good material and interesting roles. I'm not the only actress out there, and good parts just don't fall into your lap that easily. But I like most of the films I've made recently and so I'm pretty positive about the future.

In retrospect, I went to Jane Fonda for literally everything. During Mermaids, we were staying in the same building, so she was right upstairs from me. I was in my first relationship, so I got all sorts of advice. She became famous in her late teens.

Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club [1996]: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy."

Society makes suicide so romantic. I mean, you watch these TV movies about teen suicide and you want to jump in front of a bus. Because your biggest fantasy is your own funeral. No one will admit to it, but it's true.