It is not fair to those who fight corruption that they have to fight the aggressiveness, the impunity of the corrupt.

Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.

Intolerance has become, I think, the reigning ideology of the world today, the intolerance versus intolerance and it's taken on lethal proportions.

You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.

And I believe that the best learning process of any kind of craft is just to look at the work of others.

With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.

I believe that each writer must decide in which language he or she is most comfortable.