Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.

There's a lot of insincerity about the actions of our legislators; they create distractions - like this anti-gay law you alluded to - and try to mobilise, to exacerbate people's emotions. Until the legislators started making laws, people minded, generally, their own business.

I grew up in an atmosphere where words were an integral part of culture.

We wasted a lot of creative energy in that immediate post colonial era, when there was a struggle between, you know, the Cold War between the capitalism and communism. Many writers just wasted their energy and their talent because they want to be ideologically correct and of course all they produced was propaganda.

I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.

I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.

There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.