As for fame, fame felt like nothing. Fame was not a sensation like love or hunger or loneliness, welling from within and invisible to the outside eye. It was rather entirely external, coming from the minds of others. It existed in the way people looked at him or behaved towards him. In that, being famous was no different from being gay, or Jewish, or from a visible minority: you are who you are, and then people project onto you some notion they have.

If you went to a home, kicked down the front door, chased the people who lived there out into the street and said, Go! You are free! Free as a bird! Go! Go! - do you think they would shout and dance for joy? They wouldn't. Birds are not free. The people you've just evicted would sputter, With what right do you throw us out? This is our home. We own it. We have lived here for years. We're calling the police, you scoundrel.

Sometimes I got my majors mixed up. A number of my fellow religious-studies students - muddled agnostics who didn't know which way was up, who were in the thrall of reason, that fool's gold for the bright - reminded me of the three-toed sloth; and the three-toed sloth, such a beautiful example of the miracle of life, reminded me of God.

The lower you are, the higher your mind will want to soar.

The planet is populated by human beings, of which there are only two sexes, and the role of the writer is to explore otherness, other realities. So the idea of a man exploring what it's like to be a woman doesn't strike me as being that wild or crazy an idea.

Jesus, Mary, Muhammad and Vishnu, how good to see you Richard Parker!

Words are much better at relating emotions and thoughts.