I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
Yasumasa MorimuraIn Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.
Yasumasa MorimuraThis is why there is not any artist who takes Internet as the theme. My position is quite the opposite to the current trend of art, but this is exactly why the title of my exhibition is "ART Fahrenheit 451".
Yasumasa MorimuraI think it is important to be aware that the Internet has replaced the television, and has become a place where the uniformity of human society is accelerated.
Yasumasa MorimuraThe artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".
Yasumasa MorimuraTaking photographs is generally an act of 'looking at the object, whereas 'being seen' or 'showing' is what is most interest to one who does a self-portrait...self-portraits deny not only photography itself but the 20th century as an era as well...an inevitable phenomenon at the end of the 20th century.
Yasumasa MorimuraI was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
Yasumasa Morimura