I planned the exhibition so that it becomes a story where the viewer travels through these islands [of ideas]. Whether the contents of each chapter came first or the artist came first in making the decision was different in each case.

The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".

I put priority on such artists who focus on the world of "oblivion" and who consider placing themselves into the world of "oblivion" as fundamental to their attitude for their expression.

Art is basically entertainment.

In Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.

Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.

I think it is important to be aware that the Internet has replaced the television, and has become a place where the uniformity of human society is accelerated.