One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.

In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.

Horrible that you could write in a language so well, but have nothing meaningful to say.

Even the most innocent person, when cornered, is capable of a heartless crime.

To write about a struggle amidst the struggling: one must hope that the muddling will end someday.

Regarding heroism, I grew up in a culture where you learn about heroes and heroines all the time. In a way, when you call someone a hero or heroine, it's the same as calling them a villain.

I would never describe a cloud as 'fluffy'—in Chinese or in English.