I was always creatively stubborn, adverse to editing by others, and wanted to use the kind of Ukrainian we spoke among ourselves rather than the more artificial prescribed literary Ukrainian. The problem was the greatest in prose, where editors would change my language because "it sounded better this way." My poetry they left alone probably out of deference to that hallowed genre.
Yuriy TarnawskyIn fact, the very phrase "teaching creative writing" sounds to me oxymoronic. How can you teach someone to be creative?
Yuriy TarnawskyI think I view myself primarily as a fiction writer. Poetry is more of a "hobby," a time of rest from the hard work of writing fiction.
Yuriy TarnawskyI feel that other people's suggestions are very dangerous. Yet, I can't say that they are always destructive or not useful. Perhaps, rather than having other people tell you how you should improve your work, they should just tell you how they understand your work, what they got out of it, so that you can figure out yourself if what you did was right or wrong.
Yuriy TarnawskyI always lived in a multilingual society (Polish-Ukrainian, German-Ukrainian, English-Ukrainian), and was open to outside linguistic influences. I think it was within three years of coming to the US that I started writing in English, although purely for myself, not trying to get it published. Living in America, I was constantly in touch with English, and Ukrainian was for me a private language.
Yuriy Tarnawsky