When I perform, it's definitely about duration. I don't play any kind of time signature known to man.

Some of the stainless steel discs that I play, I cut myself from pieces of stainless steel that I found. I don't make as many as I used to, because you can't get into surplus and scrap yards as easily anymore.

I really like accompanying. I like working with vocalists, I've worked with a lot of poets.

When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.

I lose all track of time on that level. I used to have a really good sense of time. I didn't need a clock to play, and I had a sense of when five, ten, twenty minutes had passed. Now I can only play with a clock.

I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys.

I don't really need new stuff anyway. I like to make big stuff, and it's too expensive to travel with. So I have my refined set that works well, and I'm pretty much set with that.