When I perform, it's definitely about duration. I don't play any kind of time signature known to man.
Every once in a while I'll find a new way of playing something, it will suggest itself. But generally speaking, there's a set sonic potential, and that's in concert with a set instrumental technique.
The majority of my training was as a drummer, and drummers are basically accompanists.
I've always been interested in finding out more about the properties of acoustics.
I really like accompanying. I like working with vocalists, I've worked with a lot of poets.
When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.