We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.

The days that you record by yourself, you feel like a crazy person because you're saying the same line, 10 different ways, or they ask you for 10 different grunting sounds and you just feel like such a schmuck. It's crazy! When there's other people there, it tethers you to something, in a nice way.

I feel all of the archetypes in Silicon Valley probably exist in some other form in other subcultures.

I don't go to see many comedies anymore, because I guess it feels like another day at the office.

I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.

I remember the first joke that I made, which went over terribly. I was at my cousin's birthday party in Brooklyn. I was a little kid and she was a little older. They were going around introducing themselves; I was probably four, and I was very eager to impress all of these older New York kids. They went down the line and were like, "I'm Jake," "I'm Jane," "I'm Silvia," and I said, "I'm hungry," because I thought that was really going to bring the house down.

We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.