People are going to be way more patient listening to what I have to say now. I don't have five seconds to get their attention, I have five minutes. That's a huge window.

Recovery culture teaches you that you have to repent. I don't think that's necessary.

There are a million things out there every single day that trigger me - songs, smells, even the season that we're in, fall. Something about the air.

The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."

There's positive attention and there's negative attention - negative attention is easy, positive attention requires actual hard work.

I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.

A record is worth 10,000 live shows.