You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.

"FlashForward" was a dream come true. I had auditioned for David Goyer for "Blade: Trinity" and didn't get the part, but I guess he became a fan.

V-necks are great because you can get a little fat and you still look kind of good - and I like to get fat sometimes, so it's nice. I like to fluctuate between the world of skinny and fat, so V-necks suit me well.

In college, I won the Irene Ryan; it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

I've had friends whose boyfriends I meet, then they break up and I end up staying buddies with the boyfriend. In this day and age with social media and Facebook, Twitter, it's really impossible to escape people that you've been involved with. In a weird way, it makes it easier for everyone to stay friends because you're just sort of stuck there.

'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.